![]() ![]() This works well at reducing pumping on mixes, but also helps with fine-tuning compression for low-end heavy sounds, such as basses and kick drums. So, what of the 'new' features? First up, the sidechain filter affects both internal and external sidechain signals and enables you to roll off low frequencies right up to 2kHz. On the bench, we set up a couple of our favourite SSL settings (subtle pumping mix compression with a 2:1 ratio and a more aggressive setting for drum kit processing), and both had that familiar sound, comparing very well to Universal Audio's 4K Buss Compressor. Threshold, makeup gain and the meter have also been given new names. However, there are some differences, including a super-fast 0.01ms attack option and extra release times (0.4 and 0.8s), while the original 0.3s release time is labelled here as 0.2s. If you're familiar with the SSL original, you'll recognise features such as 'auto' release, three possible compression ratios (2:1, 4:1 and 10:1) and the exact same attack times. ![]()
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